Wednesday, May 30, 2012
by Vic Cardinali
So I’ve seen them in concert, their last album (“Night Work”) was probably one of my all time favorites that I still listen to when I need some motivation to do — anything — but that being said even the Scissor Sisters aren’t infallible.
What do I mean? I mean that in my eyes they’ve fallen into a trap — a trap that other artists have also fallen into: the last album we put out was so awesome and nothing will ever live up to it. They join some esteemed company with Rihanna (Loud > Talk That Talk), Beyonce (I Am Sasha Fierce > 4). I’ve given “Magic Hour” 3 good listens — that’s 3 hours — and none of them were magic. Not one.
The album is caught between the Greatest Hits of Elton John, the B-Sides of Mika, and hotel lounge music.
There are some stand out tracks: “Only The Horses” (The Calvin Harris produced power house), “Shady Love” (the rapping track that won’t let go) — and “Baby Come Home” — the dark, hard, piano driven, jog-motivator track.
The last, “Baby Come Home”, is probably one of my top 5 favorite Scissor Sisters tracks, which is why I was so thoroughly confused by the rest of the album. To start on such a grabbing, amazing track, and then quickly slide away makes the album seem disjointed and extremely after-thoughtish. I know the group felt bad for leaving their fan base hanging between albums for so long — so maybe that means this one was rushed — but if taking their time produces amazing work like “Night Work” then my advice is TAKE YOUR TIME, PLEASE!
The music video for “Baby Come Home” is amazing as well (which, in this case, doesn’t help. It just makes me more sad) — it’s a bunch of nostalgic beer labels brought to life upon the lyrics of the song. Quite a party. Enjoy it below!







Check out our Spotlight Interview with
Check out our first ever Spotlight Interview with